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The plot of the game is told thief the dark project download pc a series of missions in which the player character can do a wide range of actions from a first-person perspective in a 3D environment, such узнать больше здесь stooping, hunching, swimming, climbing, sprinting, and slaying.
When it comes to interacting with non-player characters NPCs and the environment, players have an abundance of options for accomplishing certain goals, such thief the dark project download pc opening a locked door. There are three difficulty settings for each operation, which как сообщается здесь player can choose between missions. The number of wellbores the p has accessible and the complexity of each assignment are both affected by the difficulty setting.
New or revised objectives may be introduced in some missions depending on the situation. The level would be blasted if the player bombed or passed on a critical unbiased, forcing them to start again or restore a previous save. Non-human characters, including goliath bugs, animals, zombies, and apparitions, feature in the game, with varying thief the dark project download pc of endurance and awfulness.
A blackjack that debilitates and kills humanoid NPCs is one of the items carried by the player character on each level of combat. Additional bolts and instruments can be purchased with the plunder players have acquired thirf plunder and remaining equipment do not roll over between missionsand players can go on a treasure hunt at any moment during a level to find even more treasure. Downlaod more than just food and keys, players can find documents and books containing information on the legends of the game as well as thuef hints on how to get past tricky situations in the game.
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Guards and servants react to you actions astonishingly. If you’re spotted, a guard may call for other guards to back him up or come at you slashing. When you’ve been spotted by a servant, they’ll run off and find help and alert everyone of your presence.
And because you’re trying to find loot while avoiding confrontation, it almost feels like a role-playing game at times. The balance of all three genres action, adventure and role-playing is exceptionally well done and represented well. The biggest downside to some may be the lack of multiplayer options. Then again, a thief is known to walk alone which leaves little room for partnership in this setting.
Still, the first rate storyline as well as visual and audio effects make Thief quite an immersive gaming experience. It is a subtle yet captivating game that will keep you on the edge of your seat from start to finish. Replay Value: Upon completion, you know all about the twisting plot so there isn’t much to go back for. That is unless you don’t mind not being surprised. If you ask role-playing fans which is the best character class to play, very few answer the “Thief” class.
As a thief, you are neither a fighter nor a mage and can neither bash nor burn your foes. You play a thief because in a game the loot often lies behind locked doors or in locked chests which you can pick, but for god’s sake no one otherwise ever wants to play the thief. Just because a thief is useless unless the quest items are heavily guarded. Ironically, in Thief: The Dark Project, it is your skills as a thief that is going to win the day.
There is no “Paladin” behind you to kill the enemies or heal your wounds. This is a game of stealth and shadows, where you must be smart and silent.
Go into the house, find the loot, and leave the scene unseen! You are the thief! When Garrett is a child, he has no family and no home, and he soon learns that he has to take what he needs to survive. One day he tries to steal from a Keeper and gets caught. Strangely, the Keeper, who is a member of a sacred medieval order, is not at all angry with Garrett stealing his purse but is rather impressed by his skill. He recruits Garrett as an apprentice, and teaches him a better understanding of how to keep himself unseen.
Garrett, who never intends to live his life as a Keeper, uses his training instead to become a better thief. As Garrett, you eventually meet a woman named Victoria, who wants you to steal a magical sword from a rich but an eccentric nobleman named Constantine.
Instead of rewarding you after a successful mission, Victoria tells you that stealing the sword is only a test, and that Constantine, from whom you have just stolen, has a much more lucrative offer for you. He wants you to steal a valuable jewel called “The Eye” that is guarded in a cathedral in a section of the town that has been sealed off after a great magical disaster. However, you soon discover that a more sinister plot lies behind your troubles.
In the end, you must keep the evil Trickster from spreading chaos over the world. As with these earlier titles, Thief: The Dark Project too shows an excellent use of state-of-the-art first person 3D perspective.
The game uses the Dark Engine that is developed in-house. With this engine, you have full control of Garrett’s point of view, his movement, and his action. With that amount of data the engine has to deal in real-time, I have expected numerous graphic glitches or a very slow game. Yet, Garrett moves and turns as quick as you can command.
Remember the suspense you feel sneaking around in System Shock? In this game that feeling is much more realistic.
Rather than relying only on high resolution imagery as in many ego shooters, this game uses audio feedbacks, such as the loudness of footsteps, to give you an unparalleled sense of the environment around you.
The sound effect is so realistic that you not only can hear where the guards are but also know if they are moving, how fast they are moving, and so on. Even the difference between stone walls and open spaces can be heard. The game environment is very dark. Although the manual suggests that you should play the game in a brightly lit room, the light source should be far enough away to not bring on any disturbing reflection on screen. The feeling of the game is destroyed if you have to turn up the brightness.
After all, as a thief who hides in the shadows you cannot expect to see every loose brick in the wall! Garrett’s movement is controlled using the keyboard which can be remapped, while his view is controlled using the mouse. The ranges of movements include forward, backward, sidestep, leaning, turning, crouching, sneaking, swimming, and jumping. This sounds complicated at first, but the interface is very intuitive. But if anyone can pull it off, the guys from Looking Glass Studios can.
While many developers are content to hurl the player into a 3D environment stuffed with bad guys, chainguns and ceaseless u mayhem, Looking Glass have always done things differently, concentrating instead on concentrating instead on storyline, atmospherics and pacing.
Thief carries on that tradition. The concept is simple: when all’s said and done, it’s a game in which you play a slippery little bastard. You take the role of Garrett, a seedy ne’er-do-well who makes a living offering his services in exchange for money. Our hero is well versed in the art of petty criminal I behaviour – sneaking around, skulking in the shadows, smacking people on the back of the head, pinching stuff then legging it – and therein lurks the bulk of the gameplay.
A typical level requires you to break into an opulent mansion and pilfer a precious artefact. Easy peasy. Except the place is a quite big, and b regularly patrolled by guards.
So what do you do? You’ve got some weapons – a sword, a blackjack and a bow and arrow – but there’s lots of guards and only one of you, and this isn’t Duke Nukem; run in the front door waving a sword around and they’ll be all over you like fat men in a cake shop. So rather than cantering headlong into each location, weapon drawn, you are encouraged to walk on tiptoes, preferably in the dark and on a soft surface; slip in the back way; keep in the shadows.
Should you encounter a guard, the best course of action is to sneak past or take him out quietly by whopping him on the back of the skull with a blackjack. You can whip out your sword and attempt to carve him into chunks small enough to stir fry in a spider’s wok, but that’s the last resort. Aside from the hideous brutality of such action, it’s also noisy; someone might hear the struggle and come looking for you.
An altogether classier – and quieter – option is to use your bow and arrow to eliminate him from a distance. Once he’s laid out on the floor, sling his body over your shoulder and dump it somewhere inconspicuous to prevent anyone from coming across his sprawling corpse and subsequently raising the alarm. And so on and so forth. The game starts slowly, but once you’re in the thick of things Thief is genuinely nerve-jangling. If you’re clumsy, death comes quickly – a few quick hacks from a rival sword and it’s curtains.
Knowing your life hangs in the balance each time you tread on a creaky floorboard helps keep the mind surprisingly keen.
Sound effects are an all-important staple of the gameplay – all the characters can hear. Not only does a careless footfall alert the bad guys to your presence, it also alerts you to theirs. Often you have to rely on your sense of hearing to work out the whereabouts of the guards as they pad about – make sure your speakers are wired up the right way round.
One particularly neat feature is the Cpeer round the corner’ key, which does exactly what it says on the tin. Being able to poke your head round and have a quick butcher’s down the corridor can save your life on countless occasions; although there’s nothing more unnerving than finding yourself staring eyeball to eyeball at an equally surprised guard. So there you go. It’s all shaping up to be an exhilarating experience, if nothing else.
Let’s go back to that whole Crealism’ thing. It’s all very well having ultra-realism when it enhances the gameplay and makes it more believable and therefore involving – but if the entire thing were naught but an exercise in everyday life emulation, Thief would be Thankfully, it isn’t.
While on the whole it presents a far more believable environment than, say, Duke Nukem, there are also occasions where it feels about as true to life as Ivor The Engine. Example: for some reason, Garrett is equipped with special Cmagic’ arrows which do special Cmagic’ things. There’s a Cwater arrow’ which is used for dousing lanterns thereby enabling you to pass by in total darkness , and a Cmoss arrow’ which muffles the sound of your footsteps.
Now, at the risk of sounding like a gaggle of pedantic, sneering shitcakes, wouldn’t a kind ofCwater balloon’ thing make more sense than an arrow?
And if you wanted to walk around silently for a moment, wouldn’t you simply slip off your shoes? Still, as long as they don’t feel contrived and out of place, like they’re plugging a hole in the game design, we’ll let it go. Besides, shooting arrows into an enemy’s lughole is Remember fun? Thought so. Speaking of fun, the behaviour of the enemy guards is hilarious. In most respects, they’re scarily true-to-life. While on duty, they behave impeccably: they stand around whistling or muttering to themselves, fidgeting and pacing around in a faintly bored manner, and generally doing little in the way of actual guarding, just like the real thing.
But occasionally their behaviour veers from the believable to the ridiculous within milliseconds, in a manner so disconcertingly schizophrenic that you start to question their sanity. Let’s say you accidentally make a sound, at which point a nearby guard might shout: Who goes there?
Then moments later the same guard lightens the mood somewhat by saying aloud, in the hammiest manner imaginable: Oh, 1 must be imagining things.
What is this? You half expect to turn around and see Jim Davidson, dressed as Buttons, performing a comic turn.
Perhaps you might even ready your sword in anticipation, dribbling at the prospect of hacking his legs off below the knee, then stamping up and down on his arrogant little face until his eyeballs burst all over your shoes.
Pantomime or not, it’s a laugh and a half when they catch you. Funnier still is the way they all speak with a bizarre approximation of the English accent, reminiscent of Dick Van Dyke’s infamous star turn in Mary Poppins and equally hilarious. Mind you, Van Dyke never started cussing, the way the Thief guards start hurling insults at you once it all kicks off.
Not content to be simply amusing, the guards absolute devils to hide from. Skulking around in the darkness while an unaware guard stomps by, absentmindedly mumbling to himself is a uniquely tense gaming experience that you won’t find anywhere else.
All in all, it’s an intriguing prospect. We can’t wait to get our hands on the finished version – especially since the preview version has a weird control setup. As Thief s gameplay relies on careful, precise manoeuvring, it was oddly frustrating to discover that the preview version came with a bizarre, unchangeable control system. Here at ZONE we’re fussy. We like our Y axis reversed when we’re mouseketeering through a Quake-alike. But since there was no option to do this, we spent most of our time in the world of Thief staring at our shoes, or the ceiling, or the wall, or basically just about anywhere other than where we intended to.
In fact, it was a bit like that walk you do when you’re tired and you’ve had far too much to drink, and you alternate between trying to loll your head back to rest on your shoulders, and leaning forward to vomit all over the floor.
Not the ideal state for cat burglary, basically. Unless you’re a scouser, in which case you’re probably: a a genuine burglar, and b perpetually drunk anyway, in which case congratulations – this is your life. Anyway, since you’ll be able to fully customise the controls in the full version, until they fit you like a glove, that last bit was irrelevant.
Oh, and we apologise if you are a scouser even though you probably stole this mag to read it -assuming you can read. We were ranting. Thief: The Dark Project is out later this year, and it will probably rock bells.
Just don’t go pinching our copy, okay? It’s all well and good creating a game about stealth and evasion and sneaking around on tippy-toes putting other people’s property in your pockets, but here at ZONE we can’t help thinking that the makers of Thief have missed out on a golden opportunity.
The problem is this: Thief is set in a sort of quasi-historic fantasy environment in which 19th century technology mingles with medieval imagery – a world of chainmail and brass pipes, cobblestones and wooden beams.
Fine If you like that sort of thing. But it could have been set In the suburbs of any average British city. Ihiro, say, or perhaps Nottingham or Derby. Why would that be any better? Because the game features loads of burglary, dumbo, and, let’s face it, a suburban burglary simulator would be one big fat laugh.
About Anyone Or Anything, Especially Your Sodding Property, and replace the existing missions with a series of everyday yet equally nerve-racking burglaries: breaking and entering; hiding Inside cupboards; pilfering videos; accidentally smashing treasured family heirlooms; turning drawers inside out in search of petty cash; taking a crap in the centre of the carpet The list goes on and on. Fantastic entertainment.
They could even scan in the faces of the cast of The Bill and have them turning up as polygonal policemen to arrest you if you mess up. Although doing Bob Cryer’s nose Justice might prove tricky. Anyway, they should scrap the entire game and redo it like what we says, bastards, bastards, bastards.
This promises to be a first-person shooter with a difference, the emphasis being on stealth and every as opposed to running around the place at the speed of gftt, mindlessly blasting everything you come across. The introduction of this tactical element should inject a much reeded breath of fresh air into a oenre that seems to have become cosessed with ’emulating’ Quake 2s every element or ripping off 02 “lock, stock and barrel”, as our man Mallo would have it. Thief is the first game to use the Dark engine, which the game’s designers claim is extremely versatile, enabling them to create a fluid, ever-changing environment, unlike what could be done using more conventional game engines.
Objects in the game have real physics, with flammable objects catching fire and heavy objects having real mass, enabling you to use them for blocking doors, or throwing at people if you get bored. Considering Thief is being developed by Looking Glass the people behind Ultima Underworld and System Shock, there is every reason to get incredibly excited about this game. This isn’t the easiest of jobs, you know. Contrary to popular belief, we don’t just spend all our time ‘playing kids’ games’ and getting paid for it.
Games like Thief: The Dark Project are the source of constant headaches and stress-related car fatalities, in this instance because every time I play the thing my opinion of it changes. You try writing an authoritative review under those circumstances.
It’s not as drastic a swing as going from good to crap in the amount of time it takes for Carol Vorderman’s contract-signing pen to emerge from her pocket, but it is the kind of annoying swing that makes me hesitate between awarding a Classic or a mere Recommended. But let’s come to that in a moment Thief is the tale of Garrett, a hardbitten footpad in a semi-medieval fantasy world. A simple burglary results in you being contacted by a mysterious client who is searching for a mysterious artefact, pursued by a mysterious religious sect and protected by a mysterious group of benefactors.
The unique trick that Thief brings to the first-person action game party is that unlike most games in the genre, you’re not asked to wade into room after room of bad guys, killing everything in sight. On the contrary, a thief needs to avoid being seen or heard, and that’s what you have to achieve here. The NPCs have astonishing levels of realistic behaviour, and the tension created when you find yourself crouching in a darkened corner while a guard walks by muttering about his job, or when you accidentally drop a plate on to a stone floor with a loud clatter and hear someone in the room next door say “Did you hear something?
The sound adds a whole new level of realism to the game and boosts that whole ‘total immersion’ thing to previously unattained levels.
This is an aspect of the engine that really should be heeded by the rest of the genre and utilised in the future. It’s that’s good. But there is a problem, the one alluded to at the start. Thief is both excellent and annoying in equal measures.
It spends the first couple of levels setting up something creative and unique to the world of first-person 3D action games, then spoils it all by resorting to the usual array of zombies, spider creatures, demons and so on that inhabit every other game set in a pseudo-medieval fantasy world.
Tension is paramount during the first burglary, with sneaking, sniping and stealing in equal, addictive measures, unlike the usual gung-ho approach normally favoured by games in this over-crowded genre.
Indeed, the mission objectives on the harder difficulty levels forbid you to kill anyone. But then, barely one level later, the zombies turn up and things quickly degenerate into the standard hack ‘n’ slash, sub-Conan sort of thing that Heretic, Hexen and a million others gave us.
Hopes that this is a momentary lapse seem to be founded as the haunted mines give way to a gloomy prison area, but then the very next level throws you back into the rotting arms of the undead as you’re told to infiltrate a haunted crypt. And it keeps happening. After the crypt come another couple of enjoyable burglary sessions, which is then dragged down by a townful of zombies and demons in the next part.